Skip to content
TRT_Options_mockup

The Regolith Temple

An android longing for his human wife.

An ancient Roman temple terraforming Mars.

Will their deadly clash doom all androids to forced labor?

Learn More
Roxana Arama
thriller meets speculative fiction
  • Home
  • Books
    • The Regolith Temple
    • The Exiled Queen
    • Extreme Vetting
  • Stories & Interviews
  • Our Borders: A True Story
  • Newsletter
  • Blog
  • About
  • Home
  • Books
    • The Regolith Temple
    • The Exiled Queen
    • Extreme Vetting
  • Stories & Interviews
  • Our Borders: A True Story
  • Newsletter
  • Blog
  • About

You don’t belong here

Posted on March 25, 2026
  • Research Trivia

It’s hard to write about books and ideas when the world is hurting all around us, but as a fiction writer, I keep trying to make sense of political power and human behavior. And that reminded me of something I once felt while reading a certain very famous book.

You don’t need to be an immigrant or a minority to know what it feels like to be rejected by a desirable group, or any group for that matter, even a group that didn’t seem to exist until you walked up to it and the circle closed to exclude you. You just need to remember high school, or that sickening feeling you had, walking down the street after a breakup and looking at all those couples holding hands as if they were touched by divine grace and you by plague. I do have this feeling of not belonging now and then, but I didn’t expect to revisit it when I picked up The Prince by Niccolò Machiavelli.

In Romania, there’s a saying: “Don’t take a big bag to the praised tree.” Sure, I found all sorts of storytelling nuggets in The Prince, such as “all armed prophets have succeeded and all unarmed prophets have failed,” though “failed” here means merely dying before seeing their doctrine take hold. But most of the ideas in the book have been so thoroughly studied and absorbed into modern culture that we take them for granted in storytelling instead of reading them as revelations—whether it’s the way people resist new ideas that might actually help them, or the prince’s supposed necessity to destroy those in the line of succession for the throne (and their families).

While I wasn’t as impressed as I expected with this bit of research reading, I still had fun thinking I was catching every little trick Machiavelli was laying down. So I decided to lean into it and play along: What would happen if I swapped out “you/the prince” for the names of current politicians? How would his insights look dropped into our modern world?

For instance, when I tried swapping in “Obama,” the text offered a neat explanation for the stalemate around his attempts at post‑partisan outreach—the dynamic that played out during the 2011 push for a so‑called “Grand Bargain.” Machiavelli would’ve warned Obama that some opponents aren’t waiting to be persuaded, and that treating them as potential partners can leave you exposed.

“But when [these nobles] avoid joining you, through cunning or ambition, that is a sign that they have more concern for themselves than for you. As regards these nobles, a prince must be on his guard, and he must fear them as though they were professed enemies, for in time of adversity they will be out to ruin him.” (Chapter XI—Concerning the civil principality)

When I tried the substitution with “Trump” in the discussion about a prince who listens to too many voices—and ends up changing his mind depending on who last spoke to him—it read like an explanation for the constant chaos we find ourselves in as each faction pushes for influence with the US president. Machiavelli would’ve warned Trump not to start a war just because people around him want one.

“Therefore a prudent prince will pursue a third course, choosing the wise men of his state and granting only to them the freedom to tell him the truth, but only concerning those matters about which he asks, and no others. Yet he should question them about all matters, listen to their opinions, and then decide for himself as he wishes. He should treat these councils and individual advisers in such a way as to make it clear that their words will be the more welcome the more freely they are spoken. Except for these men, he should listen to no one, but rather pursue the course agreed upon and do so resolutely. Anyone who does otherwise will fall victim to flatterers or, as a result of the various opinions he hears, will often change his mind and thereby lose reputation.” (Chapter XXII—How to avoid flatterers)

And then I reached the end of “Chapter XXV—Concerning the influence of fortune in human affairs,” and the manner in which it is to be resisted (emphasis added).

“Therefore, since fortune changes while human beings remain constant in their methods of conduct, I conclude that men will succeed so long as method and fortune are in harmony and they will fail when these are no longer in harmony. But I surely think that it is better to be impetuous than to be cautious, for fortune is a woman and in order to be mastered she must be jogged and beaten. And it may be noted that she submits more readily to boldness than to cold calculation. Therefore, like a woman, she always favors young men because they are not so much inclined to caution as to aggressiveness and daring in mastering her.”

Screech!

I read and reread that paragraph.

I mean, what did I expect? This was Florence in the sixteenth century. Sure, Machiavelli once mentions Caterina Sforza—a countess who put up a good fight against Cesare Borgia—then says nothing more about women. Until the part about beating them into submission.

And in that moment, the little game I had been playing—imagining myself clever enough to spar with Machiavelli on his own turf— collapsed. The text made it painfully clear that I was never meant to be in the room at all, that as a woman I was the kind of reader he didn’t even imagine. It was the same old circle closing, the same quiet “you don’t belong here” I’ve known all my life.

So I sat there with that small volume in my hands, contemplating the now-obvious absence of a book never written named The Princess.

PREVIOUS POST
« Are we prisoners of our geography?
NEXT POST
Have you heard of Zalmoxis? »

Related Posts

What’s it like to upload your brain to a computer?

  • August 17, 2026
How much of the neuroscience in The Regolith Temple did I get right in the novel? Here are some concerns when writing uploaded brains in sci-fi stories.
Read More

What on earth is an HCP?

  • June 15, 2026
Whenever I puzzle over something in my life, I often end up understanding the characters I write in my stories a little better too. A conversation with a friend helped me see that connection last...
Read More

Why Vikings is (probably) my favorite TV show

  • May 25, 2026
My work draws power from books such as The Evolution of God and The Pillars of the Earth, and the Vikings TV series. Here's why I admire them and why they matter to my worldbuilding.
Read More

Have you heard of Zalmoxis?

  • April 15, 2026
Most Romanians know this name. It's mentioned in school textbooks and historical documentaries, and it appears on souvenirs sold at tourist attractions, yet it’s tricky to figure out who exactly it refers to. Was Zalmoxis...
Read More

Are we prisoners of our geography?

  • February 9, 2026
Tim Marshall’s Prisoners of Geography argues that mountains, rivers, and coastlines shape nations far more than ideology or intention. The maps in this book explain so much about the world we live in but also...
Read More

I wouldn’t want to live in the Roman Empire. Would you?

  • January 19, 2026
Patricia Crone’s book about pre-industrial societies raised unexpected questions about Europe and the Roman Empire, and it nudged my novel’s worldbuilding in ways I hadn’t considered before reading it.
Read More
subscribe to Roxana Arama's newsletter

Subscribe to my newsletter

to download a FREE copy of For My Readers, a collection of two novel prologues and three short stories.

Privacy Policy

Find me here:
Goodreads-g
Facebook-f
Bookbub
Bluesky
Pinterest-p
Threads
Instagram
Tiktok
Linkedin
Amazon
Envelope
Rss

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Manage consent

  • Privacy Policy
  • Privacy Policy
© 2026  
Roxana Arama, All Rights Reserved
Website by GoCreate.me
We do not sell your information. We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies.
Cookie SettingsAccept
Manage consent

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary
Always Enabled
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Analytics
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc. If SiteKit is disabled, use this code in the window below (for the HEAD section): window.dataLayer = window.dataLayer || []; function gtag(){dataLayer.push(arguments);} gtag(\'js\', new Date()); gtag(\'config\', \'G-EEVCHDTL0N\');
SAVE & ACCEPT
DISCOVER MY WRITING

Download a FREE copy of For My Readers. It includes:

  • The Last Time I Held You: A Prologue to The Exiled Queen. This is where the story begins, when Andrada’s birth destroys her father.
  • Malina on the Moon: A Prologue to The Regolith Temple. This is where the story begins, when a meteorite accident launches Yamir on his lifelong quest to create the android.
  • Three short stories featuring my recurrent character the Witch.
  • BONUS: My translation of Ageless Youth and Deathless Life, my favorite Romanian fairy tale.

Read my Privacy Policy.